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VST3 · Windows · Hard Dance

Alles Kaputt VST — by ToXic Inside

The kick-design instrument for hard dance

One plugin in place of the six-plugin chain every hardstyle, hardcore, uptempo and hard-techno producer rebuilds from scratch for every kick.

Hardstyle · Hardcore · Uptempo · Frenchcore · Hard techno · Terror · Zaagkick · Industrial
Stop rebuilding the chain

Destroy. Carve. Repeat.
Until it’s release-ready.

A hard kick tail is made by alternating destruction with surgery — distort, carve out what the distortion made ugly, distort again, five to ten stages deep, with the sub kept clean underneath and the pitch falling through the whole thing. Every producer builds that chain by hand, every time, across six windows. Alles Kaputt is that whole chain, in one instrument.

See it in action

The whole rack, one window

Alles Kaputt VST — the full kick-design rack in action: multiband split, destroy and repair modules, protected sub and ceiling
The full rack — multiband split, destroy/repair modules, protected sub, ceiling.
Alles Kaputt VST surgical EQ with a live spectrum between distortion stages
Surgical EQ between stages — with a live spectrum
Alles Kaputt VST reorderable module rack showing the destroy and repair waveforms
A reorderable rack — destroy / repair, in your order

The gesture

One knob, restrained to ruined

The RUIN knob taking an Alles Kaputt kick from restrained to fully ruined
RUIN — ride it from a clean thud to a fully ruined tail
Everything it does

The features

Multiband rack

Split into low / mid / high bands — up to six — each with its own destroy–repair rack, plus a full-band rack on the sum. The sub stays protected underneath.

Destroy / repair, reorderable

Waveshapers, filters that overload in their own feedback path, bi-polar shaping — with surgical EQ between every stage. The order is a control.

The sub is protected

A clean sub sits under the ruined tail, by construction — not by your discipline.

Release-ready ceiling

A clipper and ceiling stage take the kick to commercial loudness. What comes out drops straight into your track.

Sampler + source oscillator

Drop a 909, a gabber kick or a zaagkick in, or generate one — sine / triangle / saw with a pitch envelope, click and noise. Then destroy either.

Hardstyle-grade pitching

Pitch a kick sample properly, with a settable split between punch and tail so each is processed on its own.

Per-stage oversampling

4× anti-aliased oversampling per module for clean modern kicks — or leave it off for period-correct grit. Your choice, per stage.

Built for every era

From early gabber and millennium hardcore to modern hardstyle, uptempo, frenchcore, hard techno, terror and speedcore.

WAV export

Pull the finished kick straight to a DAW track, or save it to disk.

A/B and presets

Factory presets across every genre as starting points, and your own saved as you build.

Try it free

Hear it on your own kicks

Fully functional, seven days, on your own machine. Then a one-time licence — no subscription.

Download the free trial

Get the licence

Windows · VST3 · 64-bit · perpetual licence, instant key by email

Everything you get

SOURCE

  • Sample or oscillator. Drop any kick — 909, gabber, zaagkick — and play it at pitch, or generate one: sine / triangle / saw, click, noise.
  • Eject back to the oscillator in one click — no reload, no empty slot.
  • Four pitch algorithms — varispeed, timeless, punch, vintage — for tails that stay coherent while the punch stays sharp.
  • Punch / tail split so the hit and the tail are shaped separately.
  • Second layer with its own source, waveform, pitch and level — one layer the punch, the other the tail.
  • Descending pitch fall, swell, ADSR, velocity, polyphony. Change the key and only the tail follows.

LOW END

  • The sub is protected structurally. Wreck the tail hard; the sub stays clean underneath, by construction.
  • Sub shield: on by default — KEEP / MONO / REPLACE, with a settable protect frequency.
  • Mono maker for a tight, club-safe bottom.
  • Sub-harmonic enhancer so laptop speakers and phones still feel the sub.
  • Phase rotator for headroom and alignment.

DESTROY & REPAIR

  • 2 to 6 bands, each with an 8-slot destroy/repair rack, plus a full-band rack on the sum.
  • 16 stage kinds — shape, filter, EQ, compress, gate, punch, clip, reverb, delay, phaser, chorus, flanger, limiter, maximiser, saturate, gain — reorder them freely.
  • Bi-polar engine: positive and negative halves of the wave shaped separately, with asymmetric drive.
  • 27 filter characters with drive inside the filter’s own path — a filter that overloads.
  • Per-slot 2× / 4× oversampling, and every module switchable on/off and automatable for risers, drops and stutter gates.
  • The RUIN knob — restrained to ruined in one move. Plus a live analyser that aims the damage at drive.

MODULATION

  • 12 sources: 3 envelopes, 2 followers (before and after the rack), 2 LFOs, a step sequencer, 4 macros.
  • Drag-and-drop any source onto any control to make a wire.
  • 2 LFOs, 6 shapes — slow it sweeps the tail; at 20–100 Hz it grinds.
  • 4 macros with MIDI-learn — assign, ride, automate.
  • Modulate RUIN, mix, output, crossovers, band levels and per-stage amount, frequency, resonance and shape.

SHAPING

  • Surgical EQ is a rack stage, not an afterthought — carve out what the distortion made ugly, between every stage.
  • A parametric EQ you read off the display, Pro-Q style.
  • 35 drawable shaper curves per half of the wave.
  • Transient designer with independent attack and sustain, each with its own window.
  • Compressor, gate, tilt-EQ, reverb, delay, phaser/chorus/flanger — all as stages you can place anywhere in the chain.

FINISH & SHIP

  • Output clipper, 13 characters — Hard, Clean, Soft, Round, Tape, Tube, Desk, Diode, Skew, Fold, Wrap, Rip, Crush.
  • Ceiling to +20 dB with 4× oversampled finish — release-ready loudness that sits with commercial material.
  • A/B compare — flip and copy to judge a change against the version before it.
  • Export the WAV — drag it straight to a DAW track, or click to save.
  • Sidechain — ducking and external trigger.
  • Preset browser, module browser, Randomize and Inspire when you need a spark.

Get Alles Kaputt

One licence · everything

 49,99 24,99SAVE 50%

One-time · perpetual · no subscription · free updates · instant key by email

Get the licence

Subscribe to the newsletter for 10% off your licence

Before you buy

FAQ

Which OS and DAWs does it work with?

Alles Kaputt is a 64-bit VST3 plugin for Windows (Windows 10 and 11). It loads in any VST3 host: FL Studio, Ableton Live, Cubase, Studio One, Bitwig, Reaper, and others.

Is there a Mac version?

Not yet. Right now it is Windows VST3 only — no macOS build, no AU, no AAX. A Mac version, if it happens, will be announced on the site and to the newsletter.

How long is the free trial?

7 days, fully functional. Nothing crippled, nothing watermarked — the whole instrument, every stage, export included. Build real kicks before you spend a cent.

What happens when the trial ends?

After 7 days the plugin stops processing until you enter a licence key. Anything you already saved or exported stays yours — enter a key and everything picks up where it was.

Is it a subscription?

No. It is a one-time perpetual licence — pay once, own it. No monthly fee, no iLok.

How do I get my key?

Instantly by email. The moment your purchase clears, your licence key is sent to your checkout address. Paste it into the plugin and you are running.

Can I move it to another computer?

Yes. Deactivate on the old machine, reactivate on the new one with the same key. Your key runs on up to two machines at once.

What genres is it built for?

Hard dance, end to end: hardstyle, hardcore and gabber, uptempo, frenchcore, hard techno, terror, zaagkicks and industrial — and it can restrain itself for the cleaner hard-techno end too.

Does it replace my kick synth or pitch tool?

No — it complements them. Alles Kaputt is a destruction instrument, not a synth or a pitcher. Here the destruction is the instrument: the reorderable destroy/repair rack over a protected sub, surgery between stages, one RUIN gesture. Many producers run it after their synth or pitch tool of choice.

What are the system requirements?

Windows 10 or 11 (64-bit), a VST3 host, and a modern multi-core CPU. Per-stage oversampling (2x/4x) costs more CPU when pushed — turn it down on lighter machines. No internet needed once activated.

How do I install it?

Run the installer, then rescan plugins in your DAW. Alles Kaputt appears under instruments by ToXic Inside. On first launch, paste your key — or just start the 7-day trial.

What is your refund policy?

This is a digital product delivered instantly, so sales are final once the key is issued. That is exactly why the trial exists — test the full plugin free for 7 days before you buy.

Is there a discount?

Join the newsletter for a personal 10% codesubscribe here.

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Your 7-day free trial of Alles Kaputt VST — fully functional, on your own machine. Make a kick, and hear if it is release-ready.

The installer lands here very soon — we are putting the final polish on it. Sign up for the newsletter and you will get the link (and 10% off) the moment it is live.

Unzip and drop the .vst3 into your VST3 folder, then rescan in your DAW.

Enjoying it? A one-time licence keeps it forever — no subscription.